Artists • Educators • Scholars • Students • Theatre Lovers

Dedicated to the Exploration and Preservation of the Theatrical Visions of the African Diaspora

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BTN logo color  Black Theatre Network
   Dedicated to the Exploration and Preservation of the Theatrical Visions of the African Diaspora

Brrokstown Inn.  Winston-Salem, NCJoin us for our 27th Annual Conference  -  Friday, July 26 - Monday, July 29
MAKING THE NETWORK
The Historic Brookstown Inn - 200 Brookstown Avenue - Winston Salem, North Carolina 27101
 This year's conference will offer new & renewed opportunities for artists, scholars, and practitioners to advance their careers through their Black Theatre Network connections.  Participants benefit from knowledge shared at professional development workshops geared to theatre practitioners at all levels.

 

Theatre News


 

 About BTN          Meet the Board            Contact Us 

WELCOME! For over 25 years, the Black Theatre Network has collected, processed and distributed information that supports the professional and personal development of its membership (comprised of representatives from all areas of theatre, community and professional organizations, and academic institutions).

BTN is a non-profit organization run by volunteers. It has a four-point action program:

PROVIDE Black Theatre artists··and scholars with a milieu to exchange ideas
PREPARE our youth to make "sound" graduate school and professional career decisions
ENCOURAGE the production of plays about the Black experience
RECOGNIZE outstanding contributions to the field of Black Theatr

 

Can we package that?

. . .We come from all corners of the country, those who return year after year along with those who have just learned about the Network and are coming for the first time.  We come to parade the good side of us.  We gather in a space that we claim for ourselves and that we anoint with passion. Together we create an environment that allows us to shine and glow collectively, freely, isolated from the all that “jazz” that crowds our days with so many responsibilities, that leaves little time for personal stuff, even less for Black theatre.  Conference time is time to (re)build the Network.  Let’s face it, for many this is the time they have saved for BTN.  READ MORE

Breathe, Don’t Forget to Breathe

There are pieces of advice you carry with you for life.  The simplest ones sometimes turn out to be the most profound and those that have the biggest impact.  For me, a crucial one came many years ago from my dissertation adviser as I was preparing for my defense:  Breathe, don’t forget to breathe, was all he said.  My dissertation was not on anything related to theatre—it was on the “Electrical Conductivity of Mn(Me) Sulfides”—nonetheless, I felt like an actor preparing to step on the stage for the performance of a  lifetime ... READ MORE

eta: making the netWORK!
Black Theatre Network Members Collaborate on Hoodoo Love

Katori Hall’s Hoodoo Love will close eta Creative Arts Foundation’s 42nd season, “Shades of Blue: Resurrected Works and Reclaimed Music.”  BTN 6th President Dr. Mikell Pinkney, who facilitated a panel discussion at the onset of the season, says: “The works of African-American playwrights of the past are resurrected and joined by current writers to illuminate a shared artistic sensibility rooted in the sorrow, pain and joy of blues music and a literary blues aesthetic.” The season included The Amen CornerCeremonies and Dark Old MenWine in the Wilderness and Florence, and Jar the Floor.

Artisia Green-DallasHoodoo Love is directed by BTN’s Immediate Past President Artisia Green. She describes the play as a “mellifluent, mystical, misadventure about love and loss and people who choose to undertake measures that will enable them to control the forces in their lives and impart their vision of success in the world.” No stranger to eta, Artisia directed two previous shows for the institution and has served as literary reader and production dramaturge since 2009. 

In the spirit of the upcoming BTN conference, making the netWORK!, eta brings together a team of BTN members to work in different capacities.  READ MORE


Kuntu founder and BTN founding mother, Vernell LillieKuntu Repertory Theatre will close after 4 decades

Citing lack of adequate funding, Kuntu founder Vernell Lillie announced that the oldest  African-American performing Arts Center in Pittsburgh, is closing its doors.  Kuntu was founded by Lillie in 1974 and helped launch the career of August Wilson.  Read more

eta: making the netWORK!
Black Theatre Network Members Collaborate on Hoodoo Love

Artisia Green-DallasKatori Hall’s Hoodoo Love will close eta Creative Arts Foundation’s 42nd season, “Shades of Blue: Resurrected Works and Reclaimed Music.”  BTN 6th President Dr. Mikell Pinkney, who facilitated a panel discussion at the onset of the season, says: “The works of African-American playwrights of the past are resurrected and joined by current writers to illuminate a shared artistic sensibility rooted in the sorrow, pain and joy of blues music and a literary blues aesthetic.” The season included The Amen CornerCeremonies and Dark Old MenWine in the Wilderness and Florence, and Jar the Floor.


Hoodoo Love
 is directed by BTN’s Immediate Past President Artisia GreenIn the spirit of the upcoming BTN conference, making the netWORK!, eta brings together a team of BTN members to work in different capacities.   READ MORE

 

 

Sandra Shannon under August Wilson's portrait

Dr. Sandra Shannon and 
The Ground On Which I Stand

Dr. Sandra Shannon, BTN 11th President, lends her talents as adviser and contractor for August Wilson: The Ground On Which I Stand, the first in-depth documentary on the life, work and cultural impact of the great  playwright, visionary and friend of BTN.  WQED and PBS will co produce the project that will air as a 90-minute high-definition television documentary in the American Masters 2015 series.  Award winning filmmaker Sam Pollard has been tapped to spearhead this effort. 

.READ MORE

Selected Plays by Alice Childress Edited by Kathy A. Perkins.  As the first African American woman to have a play professionally produced in New York City (Gold Through the Trees, in 1952) and the first woman to win an Obie for Best Play (for Trouble in Mind, in 1956), Alice Childress occupies an important but surprisingly under-recognized place in American drama. . . . Read More

Theorizing Black Theatre: Art vs Protest in Critical Writings 1898 - 1965By Henry Miller.  Henry Miller brings the heart of a dramaturg over the role of Black Theatre--is it for the sake of building a set of aesthetically strong dramatic art . . . or for the sake of propagandizing a point of view? Read More

Say Word!  Voices from Hip Hop Theater.  An Anthology Edited and with an Introduction by Daniel Banks The phenomenon known as Hip Hop encompasses a global, multiethnic, grassroots culture committed to social justice and self-expression through performance. Hip Hop Theater emerged from that culture, mixing spoken-word performance with music and dance and marked by Hip Hop's strong sense of activism and resistance. . . Read More

Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 - by Koritha Mitchell.  Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families.e.. . . Read More

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News Feeds

Courtesy of news.yahoo.com, and mtv.com.



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Obama honors Carole King at White House concert

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Through the Grapevine 3

Congratulations to BTN Presdient Michael Dinwiddie for receiving the Spirit Award (June 18) from the National Black Theatre in New York, along with Micki Grant, Michele Shay.


 Dear BTN Family and Friends: Congratulations to Kathy Perkins who will receive an award for “Outstanding Achievement” in lighting design and to Barbara and Carlton Molette who will be recognized as “Living Legends” at the Black Theatre Festival. Best wishes and continued success to all three! You are an inspiration to all of us!

Judy Stephens-Lorenz


I’ve written and produced my 2nd audio play, The Magic Orange Tree. It is part of the Atlanta Fringe Festival. You can listen to The Magic Orange Tree from now until June 30 at  http://official.fm/tracks/gxoF. It is an adaptation of a Haitian folktale. I hope you have as much fun listening to it as I had making it. ENJOY!    (View promo poster)

Jessica Bodiford.  Fringe Radio Director, Atlanta Fringe Festival.  http://www.atlantafringe.org/ 


NEW BOOK:  Afrocentric Theatre, By Barbara and Carlton Molette,  describes a framework for interpreting, analyzing, and evaluating theatre that is based in Afrocentric culture and values. It updates and expands the Molettes’ ground-breaking book, Black Theatre: Premise and Presentation, that has been required reading in Black theatre courses for over twenty-five years.   To contact the authors, for further information, or to order the book: www.afrocentrictheatre.com  (view book cover)

 

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logoBTNA Diverse Group of Artists • Educators • Scholars • Students •  Theatre Lovers Dedicated to the Exploration and Preservation of the Theatrical Visions of the African Diaspora.
Michael Dinwiddie, President  - President@blacktheatrenetwork.org 
 
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