Dedicated to the Exploration and Preservation of the Theatrical Visions of the African Diaspora



July 25-29, 2019

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Salute to our Ascendants

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Shirley Prendergast departed this life to join the ancestors on February 26, 2019.  A 1986 BTN Winona Lee Fletcher Awardee for Artistic Excellence in Lighting Design, Prendergast made history as the first African-American woman to be admitted to the United Scenic Artists’ (USA) lighting division in 1969, and the first black female lighting designer on Broadway in 1973, with Joseph Walker’s The River Niger.

In the 1950s, she received a BA from Brooklyn College, and took a lighting class at the 51st St. YWCA, housed in the Clark Center for the Performing Arts, where Alvin Ailey and other young Black dancer/choreographers performed.  It was during this period that she developed her love of lighting, while studying at Lester Polokov’s Studio of Stage Design

Over the next fifty years, her designs would be presented by such companies as the New Federal Theatre, the Negro Ensemble Company, Alvin Ailey, and on Broadway with Waltz of the Stork (1982) The Amen Corner (1983), Don’t Get God Started(1987), and Paul Robeson(1988 & 1995), in addition to regional productions. Prendergast received a 1997 Obie Award for Sustained Excellence in Lighting Design, the 2009 National Black Theatre Festival Award for Outstanding Achievement in Lighting Design, the 2014 United States Institute for Theatre Technology (USITT) Distinguished Achievement Award in Lighting Design, numerous New York City AUDELCO awards, and the aforementioned 1986 BTN Winona Lee Fletcher Award. Prendergast continued to design into her late eighties, mainly with Woodie King, Jr. and the New Federal Theatre. With her favorite response of “better and better” when asked how she was doing, Shirley Prendergast was a beacon of light and will be sorely missed. -by Kathy A. Perkins



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